so, the "Tessanne Homecoming" edition of Shaggy & Friends is now behind us. Having opted not to go (neither by purchase nor accreditation), I had refrained from any public review/comment, apart from a social media debate (Ok, Facebook) on the "unfortunate" decision to give working media armbands with "No Meals" printed on them.
Having watched the greater portion of the live telecast ( I dozed off twice, but more on that later), and having covered each of three previous shows, I write out of a compulsion to address some glaring issues. Before that though , the show had a few positives. Firstly, the turnout was obviously the biggest they have had and that no doubt augurs well for the cause - so eloquently outlined by Agent Sasco mainly, and the other artistes. Secondly, the decision to provide live stream and also live television coverage (the latter via CVM) was highly commendable.
Several of the performances were good to very good; Sasco, as I already mentioned, the Mighty Diamonds, Matthew Schuler and more.
Tessanne, as expected, sounded absolutely great, but I just couldn't fathom why she would want to do her "Voice" repertoire all over again (maybe its just me) but, having acknowledged that your own material has been stifled by local interests (media and otherwise) why not make a proper showcase of that material now that you have the people at your feet?
Next - Macka Diamond. I could probably just leave that there and it would be self-explanatory.
But WHY?
Why bring to the stage of a family event, with scores of kids (okay maybe not "scores" but you get the point) visible in the front rows, one participant in the egregiously disgraceful Sting clash incident. Giving Lady saw her due, she apologised publicly and repeated the apology in an on-camera interview at the venue. Macka Diamond has, to my knowledge, remained defensive and unrepentant. She then added insult to injury by proceeding to tell said audience "how to give bun and not get caught.". Okay, on one level I get it. Shaggy had a big hit with "It Wasn't Me" and Macka scored a not-so-big hit with "Bun Him" (which of course was a springboard for her literary career, but I digress). But whereas the Shaggy-Rik Rok combo was an acceptably tongue-in-cheek comic paean with some risque lines, Macka's mini-lecture left subtlety far behind. A Mercedes Benz and a Lada are both automobiles: they hardly conjure up the same mental associations in people's minds.
Enough on that. On this next issue, I have mixed feelings. Young Gio, Wayne Marshal's son, delivered of himself a poised and very confident performance - in plain terms, he one-upped his Dad on the night. But, truthfully I have some personal misgivings about a pre-teen (or even an adult) using public platform to boast about "stoopid money" and having a house with an Olympic-size pool. I have no objections to kids being inculcated about wealth, but sheer material acquisitiveness without a corresponding attention to values like respect and community-building sends, in my view, the wrong set of messages.
Inadvertently or not, it had a seam of crassness about it that beyond any particular act or performance, tainted the body of the show in my opinion. I'm the last person that anyone could justifiably label a snob, but the show came across as a virtually "anything goes" type of affair which, to me is not befitting the cause: will the children lying ill or recovering in their beds at Bustamante really be uplifted by "How To Give Bun"? or "Stoopid Money"? With great respect, I think not.
Then to the famous media pass issue, which as I indicated, formed the basis of a moderately lengthy debate on my Facebook page (here: https://www.facebook.com/EmxGroup - scroll dwn to Jan 4). In the strictest sense, hospitality for media is not mandatory but then, neither is media coverage at said events. Its not a quid pro quo, but simply a matter of basic goodwill. My belief is that if I invite your presence at my event, then all such invitees - media included - are deserving of an acceptable level of hospitality. This, obviously, is not (necessarily) the same level as paying patrons, but it should still be acceptable. Also, there's a media accreditation process, where the organizers, having received applications to cover (or having decided to invite select media directly) will make a determination, in good time, as to the media presence at the event, give or take a few "unexpecteds" (my term) If, for whatever reason, the promoters decided not to provide any such hospitality then it should not have been too difficult to communicate directly to said media, again, in good time. To do otherwise, such as to have it blatantly displayed on the press accreditation, as was reported to me (reliably) to be the case, speaks to a level of disdain that also is unworthy of an event such as Shaggy & Friends
I expected the telecast to be long and, frankly, having been busy through the day and facing an early assignment (6:00 am) the following morning, I admittedly didn't have the juice to stay up through the whole thing. That knock is squarely on me. Having said that, why was Tessanne not the closing act? As far as I'm aware, the convention in multi-act shows is that the headliner closes and I'm sure that notwithstanding his name in the title, even Shaggy would concede that the clear headliner in this case, was Tessanne. With respect Tarrus, Sean Paul, et al who I understand followed her ( I was counting sheep), the overwhelming public anticipation was for the "Voice" winner so why not allow her the honour, even if it might have meant trimming the line-up/running order to accommodate her?
I'll reserve comment on the technical aspects as I believe those would be more fairly served by an on-site experience which, clearly, I did not have.
So that essentially, is my two cents on the subject. I see neither acclaim nor attack, but I've been doing this long enough now to comfortably handle either. I'm open to to being corrected (if its demonstrable that I was incorrect) as well as challenged on any of the preceding points.
One last thing: I included this partial shot of the 2009 Shaggy & Friends poster (the inaugural show, if memory serves). Tessanne is pretty much smack in the middle of that pic. This is highly personal of course, but I ca't help but prefer that lushly exotic and dare I say, sensual, image to the more streamlined Tessanne whose visage is now justly world-famous.
Again, that's just me
Tuesday, January 7, 2014
Wednesday, December 18, 2013
For Tessanne
[The] Voice Capsule
They couldn't see you coming
and it was even harder to
hear the dulcet tones drenched in
rock-reggae chords cause
radio enforced
Silence
wouldnt take it on board
So those who cared had to
take it abroad
Launch out beyond even
the rarified airwaves and into
the studio pitch for US Prime Time
no sordid housewives
but drama nonetheless
riveting enough to keep at least 2
nations glued to their tubes
week after week
into this hardly neutral cosmos a
silver-winged supernova slowly
inexorably gave her aural light
to a world still bereaved and hungry
for good words
Her mission: control
her resolve to boldly
go where none before have gone
and now all satellites trail
in her close-cropped wake
some ecstatic; others simply
static
for many the result was automatic
inevitable
but still otherworldly
a gleaming sparkling new
Queendom
a musical reign enhancing
freedom to appreciate all the sounds
that have been weaved across the ages
into our glorious Afro-Chinese-Jamaican
I (and I ) Pod
Friday, December 13, 2013
"Likkle" for "Little": Soulster Tanice Morrison recalls Stevie Wonder's "Christmas Tree"
Its a staple (though somewhat forgotten on today's airwaves) of pop-soul Christmas songs: Stevie Wonder's allegorical "One Little Christmas Tree" which uses the image of a solitary tree serving as a beacon to a strife-torn world was an instant hit on its release in 1967, at the height of the Vietnam War and other world crises.
Now a generation later, Jamaican reggae-soul artist Tanice Morrison has given Wonder's Christmas gem the "yard-style" treatment. One Likkle Christmas' Tree' features production by Demar 'Keysie Gayle and the singer's gently endearing style transposing the lyrics.
the inflections may be Jamaican but the spirit of the message is Morrison, says universal
"One Little Christmas Tree' has always been a favorite of mine ever since and love the message of unity among men."
The single is available from the artist, at http://www.tanicemorrison.net/ as well as atthe customary digital music outlets (iTunes, etc)
STARTING FROM IN THE EARLY 80’S WHEN SHE WAS JUST A LITTLE GIRL GOING TO THE STUDIO WITH HER MOTHER, STUDIO ONE RECORDING ARTISTE, KETURAHDUFFUS. HER MOTHER HAS ALWAYS BEEN HER STRONGEST SUPPORTER AND THE LITTLE GIRL INSIDE TANICE HAS NEVER FORGOTTEN THE MANY CHALLENGES SHE FACE GROWING UP AND ALWAYS DOES HER BEST TO MAKE HER MOTHER PROUD.
BEING SURROUNDED BY A LOT OF MUSIC, TANICE TOOK HER SINGING QUITE SERIOUSLY. SHE ENTERED SEVERAL COMPETITIONS INCLUDING THE RED LABEL WINE SONG COMPETITION (1997), WHERE SHE ADVANCED TO THE FINALS AS THE SOLE FEMALE CONTESTANT BUT NEVER WON. BUT THAT ONLY SERVED TO STRENGTHEN THE YOUNG SINGER.
BEING SURROUNDED BY A LOT OF MUSIC, TANICE TOOK HER SINGING QUITE SERIOUSLY. SHE ENTERED SEVERAL COMPETITIONS INCLUDING THE RED LABEL WINE SONG COMPETITION (1997), WHERE SHE ADVANCED TO THE FINALS AS THE SOLE FEMALE CONTESTANT BUT NEVER WON. BUT THAT ONLY SERVED TO STRENGTHEN THE YOUNG SINGER.
STILL PLAYING A VITAL ROLE IN THE PERFORMING SIDE OF THE BUSINESS AS ONE OF THE PROFESSIONAL CABARET ACTS ON THE COAST, TANICE HAS PERFORMED AT MAJOR EVENTS INCLUDING STUDIO ONE’S 50TH ANNIVERSARY SHOW WITH THE MARLEY BROTHERS, CAPELTON, MARCIA GRIFFITHS, KEN BOOTHE AND OTHER TOP LOCAL ACTS, IN 2004. IN NOVEMBER2005, SHE WAS ONE OF THE OPENING ACTS FOR THE “KENNY ROGERS IN CONCERT”, HELD AT KING’S HOUSE. ANOTHER MAJOR CONCERT WAS THE 2011 STAGING POWERFUL MEN AND WOMEN IN CONCERT.
IN 2010, SHE RELEASED AN ALBUM, NO LIMITATIONS,
IN 2010, SHE RELEASED AN ALBUM, NO LIMITATIONS,
Tuesday, December 3, 2013
A Week of Musical Celebration in Kingston
The month of December, which in recent years, had lost some of its lustre as the premium period for live musical/arts events, regains some of that this year with the inaugural
Kingston Music Week, conceived and promoted by the RJR Group (see http://rjrgroup.com/kgnmusicwk/ for full schedule) .
Simply, the event is really a series of events, with live music at the heart. Many of these will see collaboration with leading live event promoters, including Keesing Live, the monthly Saturday night series gathering great steam, as well as Bleu Essence, which converts the car park in front of its Kings Plaza location into an open-air music arena most Tuesdays. The Keesing Live event will actually play out on a Friday for KMW, as in this Friday December 6, and will featurwe the likes of Rootz Underground, Skygrass and Bryan Art eith the File 13 Band.
Its the Essence that will take the spotlight come December 3, when Shades of Gray will unfold. The event is so named because the artistes on the bill, or many of them, are part of the growing Graypatch Music roster, including VC, Nickiesha Barnes, Alkamis, Imar, Sharee and Royale, as confirmed.
Fans still hungry for music (and victuals) can head over to Usain Bolt's Tracks & Records to catch Assassin, aka Agent Sasco, in concert as the Behind The Screens series returns
Kingston Music Week, conceived and promoted by the RJR Group (see http://rjrgroup.com/kgnmusicwk/ for full schedule) .
Simply, the event is really a series of events, with live music at the heart. Many of these will see collaboration with leading live event promoters, including Keesing Live, the monthly Saturday night series gathering great steam, as well as Bleu Essence, which converts the car park in front of its Kings Plaza location into an open-air music arena most Tuesdays. The Keesing Live event will actually play out on a Friday for KMW, as in this Friday December 6, and will featurwe the likes of Rootz Underground, Skygrass and Bryan Art eith the File 13 Band.
Its the Essence that will take the spotlight come December 3, when Shades of Gray will unfold. The event is so named because the artistes on the bill, or many of them, are part of the growing Graypatch Music roster, including VC, Nickiesha Barnes, Alkamis, Imar, Sharee and Royale, as confirmed.
Fans still hungry for music (and victuals) can head over to Usain Bolt's Tracks & Records to catch Assassin, aka Agent Sasco, in concert as the Behind The Screens series returns
Wednesday, November 27, 2013
From "Crown" to "Cabinet": Lisa Hanna 20 year later
It was 1993. The late Michael Manley had recently demitted office after a legendary tenure as head of the PNP and a former Prime Minister, "Bret" as in Tropical Storm, had roared through the Caribbean, ravaging Venezuela, the former Czechoslovakia became two separate republics, and Lennox Lewis had KO'd Frank Bruno for boxing's heavyweight title.
A self-described " fairly confident teenager" arrived in Sun City, South Africa, fresh out of high school and the
'A' level exams. "I had been working in local television from the age of 14 and was a black belt Karate instructor. With the encouragement from my friends and others, I entered the local competition to conquer some of my fears. I saw the competition as an opportunity for a platform to speak on critical youth issues to give them a national spotlight and make a difference. I never saw myself as physically beautiful; neither did I consider myself fashionable."
Obviously, the was a big discrepancy between Lisa Hanna's self-perception and that of the Miss World judges as Hanna became the third Jamaican [behind Carole Crawford (1963) and Cindy Breakspeare (1976)], to take the crown.
Now, two decades on, Hanna has gone on to other milestones, becoming one of the youngest-ever Parliamentarians and currently serving in PM Portia Simpson_Miller's Cabinet as Youth and Culture Minister.
In that capacity, Hanna recently welcomed reigning Miss Jamaica World, and Continental Queen of Beauty, Gina Hargitay (who repped the nation in Bali, Indonesia earlier this year), on a courtesy call. The statuesque Hargitay, herself a "fairly confident teenager" at 18, returns to Jamaica fresh from a whirlwind trip to Washington DC, where she hosted the Caribbean Heritage Foundation awards, honouring the likes of Freddie McGregor and Trinidad jazzman Etienne Charles.
Amid the usual cordial chat, the former beauty queen, now Minister offered an interesting perspective on the current state of the pageant that catapulted her to global fame. "Its too long" she says, " and its lost the spirit of glamour and a pageantry; its little more than a 'infomercial' for the participating countries".
Hanna said dhe intended to convey her sentiments via letter, to pageant owner Julia Morley.
A self-described " fairly confident teenager" arrived in Sun City, South Africa, fresh out of high school and the
'A' level exams. "I had been working in local television from the age of 14 and was a black belt Karate instructor. With the encouragement from my friends and others, I entered the local competition to conquer some of my fears. I saw the competition as an opportunity for a platform to speak on critical youth issues to give them a national spotlight and make a difference. I never saw myself as physically beautiful; neither did I consider myself fashionable."
Obviously, the was a big discrepancy between Lisa Hanna's self-perception and that of the Miss World judges as Hanna became the third Jamaican [behind Carole Crawford (1963) and Cindy Breakspeare (1976)], to take the crown.
Now, two decades on, Hanna has gone on to other milestones, becoming one of the youngest-ever Parliamentarians and currently serving in PM Portia Simpson_Miller's Cabinet as Youth and Culture Minister.
In that capacity, Hanna recently welcomed reigning Miss Jamaica World, and Continental Queen of Beauty, Gina Hargitay (who repped the nation in Bali, Indonesia earlier this year), on a courtesy call. The statuesque Hargitay, herself a "fairly confident teenager" at 18, returns to Jamaica fresh from a whirlwind trip to Washington DC, where she hosted the Caribbean Heritage Foundation awards, honouring the likes of Freddie McGregor and Trinidad jazzman Etienne Charles.
Amid the usual cordial chat, the former beauty queen, now Minister offered an interesting perspective on the current state of the pageant that catapulted her to global fame. "Its too long" she says, " and its lost the spirit of glamour and a pageantry; its little more than a 'infomercial' for the participating countries".
Hanna said dhe intended to convey her sentiments via letter, to pageant owner Julia Morley.
Monday, November 11, 2013
Fela got the Gleaner treatment
may be a little late, but still recognizing the great vibe that attended the recent Fela Kuti birthday tribute at Red Bones in Kingston about a month ago.
Giving thanks to Mel Cooke of the gleaner for the terrific review of the night, and of course to Gordon Wedderburn, conceptualizer and producer, the Red Bones team (Enola, Evan, the staff), and all who turned out and expressed their appreciation.
Giving thanks to Mel Cooke of the gleaner for the terrific review of the night, and of course to Gordon Wedderburn, conceptualizer and producer, the Red Bones team (Enola, Evan, the staff), and all who turned out and expressed their appreciation.
Thursday, October 31, 2013
VC’S “NO NEW WORLD ORDER” IS AN “ITALIAN JOB”
International reggae recording artiste VC is continuing to
fulfill the global mandate of the music
with “No New World Order” his latest single.
The joint, delivered in his now classic style, is on the Inna Mi Yard riddim from Italian-based
sound system and production outfit, JamStone Sound. The sound, established in
2008, plays top festivals and other venues across Europe.
Outlining the genesis of the collaboration, the artiste said
the Italians were inspired by his smash hit “By His Deeds” and reached out in a
number of ways before sending him the track over the summer. “The vibe was
definitely right with this one, so I wasted no time in putting the song
together and laying down the vocals,” he explained.
The track is now hitting digital and terrestrial airwaves
worldwide. In the meantime, VC is looking forward to a busy period of
performances and appearances through the end of 2013 and into the new year,
having been signed to new management under the GrayPatch Music camp. GrayPatch
CEO, Don Gibbs, said he was confident of great things to come for both the
artiste and the camp under the new relationship, and would be making more
announcements over the coming months
Subscribe to:
Posts (Atom)



