The Boys Deserve Better

Some shows succeed in spite of themselves, while other, with the best of intentions, simply don't make the mark.

In that latter category file the Rotary Club 'Let's Do It For The Alpha Boys which unfolded on Saturday night (into the wee hours of Sunday morning) at th cavernous National Indoor Sports Centre.

The Alpha Boys School is as deserving of a tribute show as any institution in Jamaica - arguably the hemisphere - and the notion of combining jazz/big band showcase with a reggae/dancehall showcase must seemed a great idea to the organizers.  The outcome however, was largely a  case of reach exceeding grasp.

It started auspiciously with the Jamaica Military Band striking up the National Anthem and proceeding to spin out a mix of contemporary numbers. Thereafter, interspersed with video vignettes of legendary Alpha Boys  School alumni, the sparse crowd was treated to various iterations of Alpha bands - an Alumni group, the Omega element (opposite of Alpha) and a clutch of the current boys. Longtime Alpha Boys' Band director Sparrow Martin, nattily decked out in a dark suit and robin-red hat, figured prominently in these segments. The Alumni started off tentatively but gathered steam remarkably zipping through standards like "Satin Doll" and pop hits like Otis Redding/Aretha Franklin's "Respect" with notable gusto.

But the audience seemed largely unmoved throughout the demonstration and the first discernible rise came from the 50/50 band, who with noted psychologist Aggrey Irons as toast master, did a good job reminding the audience of the word, sound and power of another great Jamaican: Petr Tosh. "African" was followed by "Buckingham Palace" which, with its message of defiant marijuana consumption was a neat bookend to the Damian Marley hit "Welcome To Jamrock" (and Ini Kamoze's "Worl A Reggae Music" which it samples)

Dubtonic Kru, which is in preparation for its Summer "Victory Tour" gave a workman-like performance that justified its selection as the World's Best new Band in Malaysia earlier this year.

LUST  - sans Singing Melody - provided the first real sparks at the mid-point, delivering their known hits to the delight  of the audience, which by this time had gathered a measure of coherence and heft, but only because some of those in the rafters had accepted the off to come and populate the sea of white seats in the centre floor. They also made a neat reference to the "Rapture craze" by taking the audience to church with a medley of gospel favourites.

This writer left to the strains of D'Angel with the dancehall heavy hitters still to come.

The Indoor Sports Centre's acoustics are notoriously unfriendly to bands. The emcees Jodian Gray, Drew Lawence and Denise 'Ises' Miller performed creditably (although some more links could have been made to the video tributes). The Hospitality area in the foyer was barely up to par (but the Grace Foods brand manager as exemplary in pouring the selection of wines on hand), and despite stage designer Bert Rose's appealing tributary touches in the foyer (and outside) the show area was as stark and unattractive as a moonscape.

Wiser options might have meant a more intimate venue with better opportunites for presentation, or even a multi-venue roadshow over a prescribed period during which donations could be solicited and the message of Alpha's integral role spread more deeply and effectively.    At $4000 a pop, it was always going to be a tall order to fill the Arean in these times for a cuase, which while obviously worthy, has way less resonance to John Q Public today.

One has to think that both the legends of the past and the current students deserve better.

Alpha Dub:France's Dub Inc takes in the cradle of J'can music

The very name conjures up all kinds of heady associations for music lovers: The Skatalites, Don Drummond, Lenny Hibbert, Roland Alphanso, Johnny "Dizzy" Moore, Eddie  'Tan Tan' Thornton, Rico Rodriguez.

All alumni of the famed Alpha Boys School, and the South Camp Road institution has for many years attracted musical wanderers hooked by the Jamaican sound. The latest are France's Dub Inc,  representing the international tapestry of drum n' bass since 1997. The members of the band swung by during their Jamaican "lay-over" - during which they've recorded with the likes of Capleton and were featured at the Friday live series "Plug n' Play" at the Wyndham's Jonkanoo Lounge.

But on Friday afternoon, it was all about honouring the roots and the fruits. Gudied by Director, Sister Rosie Chung, the Frenchmen saw an alpha in transition and git the cherished opportunity to hear the future greats via an impromptu 'mini-concert' that included renditions of "Slide Mongoose" and "Linstead Market" as well as a ska classic like 'Java" and the Bob Marley anthem "One Love"

Interaction complete, they also presented the school with some much-needed instrumental gifts, and then it was back to their accommodations to prepare for the scintillating Plug and Play set later that night (into the wee hours of Saturday).

With Dub Inc's Alpha swing, another thread has been woven into the expanding global quilt that is the Jamaican music experience. There's more to come.