Showing posts with label JARIA. Show all posts
Showing posts with label JARIA. Show all posts

Thursday, February 5, 2015

Riddims, Rasta and Redemption: Reggae Wednesdays night 1

Inasmuch as he starred in several Pantomimes, the late Randolph "Ranny" Williams (also lovingly known as "Mas Ran" was not widely acknowledged as a singer, nor would he have been expected to have much facility with the reggae genre (he passe about 6 months before Bob Marley, but at the gae of 68)
So it was ironic yet fitting that under  the light of a new moon (and man-made props), the Centre named in his honour hosted fantastic expositions of the very essence of the reggae genre - the percussion-driven Afro-centric rhythms of the likes of Ras Michael and the Sons of Negus.

Complete with life-size screen backdrop, and full production credits, the Ranny Williams stage seemd tailor-made for the regal Ras Michael dressed in a peach caftan and trousers with immaculate white sneakers. He regaled the constantly growing audience with tracks such as "Birds in the Treetop"  "Give love" and "None A Jah Jah Children Nuh Cry"
ably supported by both his son and grandaughter, the latter a vocalistto watch in her own right.

They were preceded (and aided) by the Warrior Love band, who have been stalwarts for the Jamaica Reggae Industry Association (JaRIA) in its annual presentations of Reggae Month, now finding, since last year, a permanent home at Ranny Williams.

Before them, the night started in rousing fashion, with the Akwaaba Drummers, comprising some of the most accomplished percussionists working in Jamaica today. A lone female dancer sought o accentuate and translate some of the energy being generated by the instruments, which included the "kitchen cabinet" a homemade percussion and multi-phonic creation of writer-musician-artist M'bala.

When this writer left, the audience had been treated to a sterling display by a unique multi-generational cast: the likes of trombone virtuoso Nambo Robinson and  drummer extraordinaire Desi Jones alongside youngsters such as Shiah Coore (son of Stephen "Cat" Coore), saxophonist Sheldon Palmer and Desi's son Joshua on bass. their expanded repertoire  took in soul (the Isley Bros. "Livin' for the Love of You") as well as r n' b (the Whispers' "And The Beat Goes On") and contemporary reggae.

Above it all, "Mas Ran" flashed a toothy, silvery grin of approaval.


The Reggae month calendar featuresa wide range of musical and other cultural events throughout february. For details, visitthe JaRIA website at www.jariajamaica.com

Thursday, February 17, 2011

Word, sound & Power: JARIA Reggae Night @ EMC

just a few highlights from Wednesday's latest in the reggae month series at the Edna Manley College, which featured new reggae missionaries Pentateuch, pop-reggae veterans Fab 5, Urising Roots Band and many more.

emcees Ibo Cooper and Denise "Isis" Miller






Thursday, February 10, 2011

The Spirit & the Riddim

After partaking in the festivities to mark the 15th Anniversary of Kingston watering hole The Deck (good food, the music of Andrew henry and others competing with the clack of pool balls smacking against each other), we then headed off to the Edna Manley College.

Professionals, music aficionados and others joined a raucous group of EMC students to winess the second of the reggae Month series of concerts hosted in the College Amphitheatre and presented by the Jamaica Reggae Industry Association (JARIA). last week's session, featuring mento kings the Jolly Boys (who wrote the book on raucous and raunch), was still being talked about.

But it was sanctification this week (at least to  start) as Minister Carlene Davis and her group took the gathering to church, albeit maintaining a strong and very persuasive reggae beat in tracks such as "Healing Rain" .

After a welcome encore that saw hubby Tommy Cowan getting in on the act with a ironically faithful DJ rendition of Papa Levi's "Mi God, Mi King" it was time for the horns. Nambo Robinson and Idren workshop, including the visiting saxophonist Michael 'Bammie' Rose and unleashed a fusillade of ska classics that defied initial resistance and eventually had many in the fair-sized crowd rocking and skanking away.

EMC director and music vet Ibo Cooper and singer-disc jock-soon to be arts manager Heather "Brown Sugar" Grant shepherded the proceedings.