Musical "Pon-Fusion" at Jojo's

Corinne Bailey-Rae brushing up against Dennis Brown? Prince and John Legend in the same show with Frankie Paul and John Holt?

Genres dissolved and made way for fun and musicianship during the latest exposition of Live music Saturdays at JojJo's Jerk Pit

The night's feature act was up and coming singer Deji, who brought a clean clear tone and genuine warmth to some of the aforementioned and standards like Peggy Lee's "Fever"

The bill also also featured singer Stratdon who put his vocal gifts and easygoing presence to good use.

all well served by Pon Fyah, the resourceful musical tandem of O'zuone on keys (including some driving bass riffs) and drummer Junior "Bird" Baillie, the latter regaling this writer with his experiences as musical director for Sean Paul (you just don't know how much of a diva Beyonce can be) as well as Mariah Carey, J-Lo, and others.

Deji

Stratdon

Courtney John, The Future: Taking Reggae into the Theatre of Ideas

There's no serious listener of Jamaican music who would contest that the idiom has gone into a prolonged and unhealthy stasis over the last 25 years. Its not that not good music ha been released over that period, but rather that the few worthy tunes have been bowled over by the tide of mediocrity and even excrement that has prevailed. Simply put, Jamaican music has run out of ideas.

Barely a minute into Courtney John's rendering of Errol Dunkley's "Black Cinderella" one gets the first thrilling jolts of hope; the track is one off his latest project entitled "The Future" - the album's been out for months now and the music's been worked on for even longer but - with material this good - the public may forgive us for being a bit tardy in covering it.

For The Future - notwithstanding that it references the past in covering a decades-old classic (among other tunes) - is Courtney John's theatre of ideas, and those ideas are very powerful, especially from the sonic viewpoint. For the fuss that has been made about "riddims" in the dancehall space since their 90s heyday, only handful of those have proven to be truly transcendent. Onr of that handful is the "Diwali"  the handiwork of keyboard ace Steve "Lenky" Marsden, who is one of John's recording and producing cohorts on this project which he has dubbed "Rootstronic".

On the "Cinderella" track, John's spare yet urgent vocals form a cool counterpoint to the super -spaced-out dub and ambient sounds that form the backdrop, addin

g even greater urgency to the question of the title. But this is far from the album's only stellar offering. Cue up "Soul of A Man" and an even more marvelous contrast emerges, this time with John employing the more familiar falsetto. If "Cinderella" is an homage to the classics, "Soul of a Man" is a torpedo - John, Marsden and drummer-performer Wizzard have put together a sonic storm that sounds not only perfectly logical, but entirely heart-felt and, in fact........human. Similalr effects are realized on "Rain Like Gold" and "Nothing For free"

this is indeed the great virtue of this entire project. john and his partners have managed to  sincerely reinvigorate the Jamaican sound and make it more globally accessible but without robbing it of the warmth and spontaneity for which it deservedly grabbed world attention in the first place. This sounds easier said than done and may come off as casual praise, but if one patiently takes in this album and allows the sounds to simply find their way and wash over one's consciousness, the simplicity and daring within them becomes apparent - in most cases wonderfully so. this is an album which will elicit many an unintentional smile and a nod of the head - not simply in time with the often staccato beat, but in recognition that one is witnessing the evolution of an artist who is intent on pushing the sound forward on his own terms.

it's about time.

The rain fell, but not the Mountains: @Jimi's Jam

The weathervforecast had proffered a 20% chance of showers, which merely made it inevitable when the heavens did actually open up.

But, thwarted meteorologists aside, the lingering downpour had no I'll effects on the small but enthusiastic group that converged on the Asante Adonai property in the St Ann hills on Sunday. What could possiblyprove such powerful draw? Jimi Hendrix, or more specifically, the remembrance thereof. On ten occasion of the 69th anniversary of the birth of the legendary guitarist, broadcaster, psychologist (and owner of the sprawling hillside estate) and lifelong Hendrix devotee Leachim hosted the official inaugural Hendrix Tribute, dubbed "Jimi's Jam".

The event was conceived to have three main elements: cinematic, dubbed Fillmore Tropical (after the famed Fillmore West and East Theatres where he famously performed; Hendrix on Wax ( as well as CD and digital turntable); and Hendrix Live. Although the rain put paid to the outdoor cinema, the other two elements came together to excellent effect.

The selector duties were lArgely split between the host and dj Afifa who through her Sounds of Life outfit, turned a fiitingly eclectic set of Hendrix originals, tunes from artistes influenced by Hendrix and Hendrix covers - the latter notably including Angelique Kidjo's smoking' rendition of "Voodoo Chile" and - most indelible of all to this writer - The Cure's take on "Purple Haze".

The live segment overcame the much delayed arrival of drummer Akil Karram to prove a welcome finish tothe event. Guitarists Maurice Gordon and Omar Francis cranked up at a moderate pace with "Hey Joe", bassist Shurwayne Thompson adapting speedily to what was unfamiliar material. With the previously lost-in-transit Karram scurrying onto the stage, the vibe quickly belled and the thusly formed quartet stretched out with aplomb on a dub-tinged "Machine Gun" as the rain subsided. More similar explorations followed and on the closer " Little Wing" Karram ceded the drum chair to the previously unheralded but undoubtedly talented Shane Campbell.

Apart from the musical appetite, patrons' cravings for sustenance were sated by organic fare from "Stoosh in de Bush" which included Cilantro-pumpkin soup, homemade bread and a delectable egg-less, flour-less chocolate cake. Artist Richard Von White also had his unique mixed media reproductions on display.

Altogether a great jump-off in tribute to the man who famously said, "fall mountains, just don't fall on me." The mountains held up, and the forecast for the future of this event looks bright.

Altogether, a memorable jump-off for the man who famously claimed "fall mountains, jut don'